"No one can say I succumb to illusions about myself. I know I have a profound feeling for music, and it is not affectation that makes me select the most complex pieces; however, that same profound musical feeling warns me and has warned me for years that I will never succeed in playing well enough to afford listeners pleasure. If I still go on playing, it's for the same reason that I continue to take care of my health. I could play well if I weren't ill, and I am pursuing health even when I ponder the equilibrium of the four strings. There is a slight paralysis in my organism, and on the violin it reveals its entire self and therefore is more easily treated. Even the lowest creature, when he knows what thirds are, or sixths, knows how to move from one to the other with rhythmic precision, just as his eye knows how to move from one color to the others. With me, on the contrary, when I have played one of those phrases, it sticks to me and I can no longer rid myself of it, and so it intrudes into the next phrase and distorts it. To put the notes in the right place, I have to beat time with my feet and my head, so nonchalance flies out the window, along with serenity, and with the music. The music that comes from a balanced organism is one with the tempo it creates and follows. When I achieve that, I will be cured."---Italo Svevo, Zeno's Conscience, translated by William Weaver. (NB: Weaver is also a noted writer on Italian opera.)